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And there is no irony, or even a slight feeling of them being in any way old-fashioned. Then there are still cities, in many still strongly developing areas, where coop jobs can be actually highly respected ones. Some have already disappeared, like the small elevated cabins for the traffic police that already vanished from the streets of Helsinki a long ago. Some of the cubicles seem to be remnants of a strong official bureaucracy, not yet dissolved by the change of times. Petersburg, Hong Kong, Istanbul, there are plenty of cubicles related to the metro systems, tickets, receipts, cashiers, service desks and especially things related to queuing. Escalator supervisor’s booth at the Semyonovskaya station of Moscow Metro ( source). In cities such as Berlin, Zurich, Paris or London, some of the coop jobs remain, because there is something very traditional in the way for instance train stations are looked after. Now, these people work openly behind desks, and very few small booths survive.
Loic villepontoux movie#
Not anymore, but they used to, in movie theaters, cloakrooms, ticket offices, kiosks, newspaper stands etc. In cities such as Helsinki or Stockholm, people don’t work out of small holes in the wall. And by this I mean jobs that people perform in small cubicles. One of these small things, is something I would call coop jobs. One of my “pet projects”, so to speak, is observing the effects of global modernization on the small things we see in the streets. Mikasavela: A ticket booth of the closed State Palace Theatre in New Orleans ( source).
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You can also follow The Current Express on Facebook and with the tag #thecurrentexpress on social platforms. The issue features work from Homayoun Askari Sirizi, Farzaneh Hosseini, Bijan Moosavi, Houman Mortazavi, Mamali Shafahi and Negar Tahsili. However, seeing the change in the global currents, the issue also asks, what is the weight and meaning of an object today? Displayed either virtually or physically, they arise from the material sphere or literal representations, eventually turning into conversation pieces with both subtlety and direct confrontation. Opinion Pieces showcases works where objects, items and things take the lead. The resulting imagery is soaked with heavy metaphors, where instead of writing out an explicit meaning, expressing one’s opinion has developed around pieces - objects, items, sculpture, installations, assemblages, and so on. So what happens when actual objects or pieces become devices for expressing opinions? Even at a superficial glance, it is easy to see that political and societal issues represent one of the major themes for Iranian contemporary artists and cultural practitioners.
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An alternate meaning for the term could also be derived from the word piece, which can equally well mean an object of art - or even a pièce de résistance. The pieces may come from regular columnists who voice their take on current events or developments in the society, or from readers sending their letters to a designated ‘Opinions’ section. In newspaper lingo, an opinion piece is an article that reflects the author’s personal opinion about a subject.